How the brain encodes time and place

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Why you should stop buying new clothes

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Alana James, Northumbria University, Newcastle The fashion industry is one of the most polluting industries in the world, producing 20% of global wastewater and 10% of global carbon emissions – and it’s estimated that by 2050 this will have increased to 25% . A staggering 300,000 tonnes of clothes are sent to British landfills each year. The fast fashion business model, first developed in the early 2000s is responsible for the increase in consumer demand for high quantities of low-quality clothing. Many fashion products now being designed and made specifically for short-term ownership and premature disposal. Clothing quality is decreasing along with costs, and the increased consumption levels of mass-manufactured fashion products are pushing up the consumption of natural resources. The pressure to facilitate consumer hunger imposes significant social and environmental pressures on the manufacturing supply chain. The UK’s consumption levels of fashion are the highest...
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Parliament’s security experts slate British government pandemic planning

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Stan and Ollie: new biopic of the ageing comedy duo is a touching love story

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David James, Manchester Metropolitan University   Stan Laurel and Oliver Hardy (or “the boys” as they were often known) can, arguably, be regarded as the greatest double act that comedy has produced. If their star has waned somewhat in the past couple of decades, it is surely because of a lack of exposure rather than their humour going out of style. We can hope that this new film, which has harnessed the considerable comedic talents of Steve Coogan as Laurel and John C Reilly as Hardy will do its bit to bring their timeless brilliance back to the fore. It’s a heartwarming yet bittersweet tale. By 1953, the year of their final tour (the tour that the forthcoming film Stan and Ollie is based around), their film career was over. It had been on a downward trend ever since they left the Hal Roach Lot (or the “Lot of Fun” as it was dubbed) to work for 20th Century Fox in 1941. The move curtailed Laurel’s freedom as the writer and de facto director of the films and, as a resul...
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